I have very few memories of the man I knew as my grandfather (Mimmie, my great aunt and Pa, my great uncle raised my father). Pa was a white-haired smiling presence during our weekly visits to Mimmie and Pa’s duplex. He was a quiet man, but many 77-year-olds would struggle to find something to say to a 5-year-old. During one conversation, I recall him teasing me about having “strawberry blonde hair.” I was sure he was mistaken. I had “yellow” hair.
He also fed squirrels on their wide front porch. Pa would make a clicking sound similar to a tsk to call them, and the squirrels would take shelled walnuts from his open palm. Apparently, he was unaware or unconcerned about squirrel bites or rabies. He taught me to make the clicking sound but told me never to feed the squirrels without him. He’d gotten in trouble with Mimmie when a squirrel slipped into the house and climbed the drapes. After that he was more careful.
I’m not sure how I came to have his peach seed monkey—whether he gave it to me because I liked it or if it came to me after he died when I was 8. It’s a peach pit carved in the shape of a monkey and it has tiny red eyes. As a girl I was sure they were rubies, my birthstone. That peach seed monkey was forgotten in a drawer of keepsakes until recently, when I read The Peach Seed by Anita Gail Jones (a novel I recommend).
Before the novel, I didn’t know carving peach pits was a thing. I used to assume Pa carved it, but now I speculate about its origin. Born in 1882, he’d lived through WWI, the Great Depression, and WWII by the time I knew him. Was the peach seed monkey a bit of tramp art he bought during the Great Depression to help somebody who needed a handout? Did he pick it up as a novelty at a county fair? Did a friend show him a peach seed monkey and Pa decided to carve one? He might have.
Pa liked making things. He was a firefighter stationed in a neighborhood that had few fires. To pass the time during slow shifts, he made a small burgundy afghan using a technique that was a cross between weaving and braiding. Mimmie, and later, my mother used the afghan when they took naps.
I’m left with this odd artifact, scattered memories, and a lot of questions. I keep it in my office along with other mementoes that bring to mind my parents and grandparents.
I still prefer to believe the monkey’s eyes are rubies.
