So, this is summer. We all began daydreaming about this time of year during the February/March doldrums. Longer days, more time to bike, read in a comfy outdoor chair, walks with friends or family, cookouts, maybe swim, possibly attend a local festival or even a trip to the state fair or a getaway. Don’t think about bugs, grass cutting, watering the gardens, traffic, crowds, bored kids, very hot days, house maintenance at your place or a relative’s, ants in the kitchen, work that doesn’t diminish or go away, higher food costs or utility bills. Just roll out the lazy days. Really?
For each of us with plans for a long weekend, there is a scheduler or boss with post it notes from a few of our peers for the same time off and calendars needing additional worker hours. Caregivers are scrambling to fit in dentist appointments, physicals, and eye tests and all required before the last week of August. And don’t forget finding drivers’ ed if there is an appropriate age kid in the house.
What is it about our easy-going collective summer fantasy? Planted in our rhythms by school calendars built around agricultural and/or weather limitations centuries ago. Perpetuated by advertisers and businesses. Lots of people work their longest hours in warm weather. For them summer means more bucks to stretch through slow times. Or those extra summer jobs pay for the extra summer expenses.
What we share in our summer dreams across many parts of the United States are the simple pleasures of walking outside without a coat or gloves, not slipping on ice, seeing neighbors or friends while casually walking, sitting on a public bench sipping a cup of coffee or slushy. There are flowers to admire, fresh vegetables and fruit available that taste better, sunlight more hours instead of porch and garage lights. After staying inside during sunlight-starved months of cold, this is worth the wait. Wasps, bees, flies, mosquitos and ticks: please give us a break.
I have a collection of teapots, accumulated over more than 40 years, that I love and that have always given me joy. The earliest in the collection is a Japanese tea set I bought while I was in college. I loved the way I could cradle the thick handless cups in my palms, “too hot to touch, too hot to drink.” The set travelled with me from Grand Rapids to New Orleans, to Minnesota, back to Michigan. The super-glued lid, cracked during one of its many moves, is now part of its charm, a repaired flaw that doesn’t detract from its beauty.
My most prized possession in the collection is a Japanese “Brown Betty” that belonged to my mother. Well-loved and often used, it sat on our kitchen counter for years. Before sitting down to dinner every night, my mother would put two Lipton tea bags in the pot and fill it with boiling water from the kettle she had on the stove as she cooked. The tea would steep as the seven of us ate our baked chicken and biscuits, or fresh-caught salmon fried to perfection, or meatless Friday meals of macaroni and cheese or potato soup. As she cleared our plates, mom would pour a cup for her and my dad and we’d sit and talk as they sipped their tea, often long after the meal was finished.
I don’t remember when I acquired this treasure. Probably after dad died and mom sold our family home, auctioning off all the memories that wouldn’t fit into her one-bedroom apartment at the Senior Estates.
As often happens when you have a collection, mine grew over the years, added to by pieces I bought myself and by gifts from family and friends. I displayed these treasures on my kitchen soffits, the empty space between the top of the cabinets and the ceiling. I changed the displays by season, swapping out Brown Betty with a bright red Waechtersbach teapot and snowmen sets at Christmas time, adding pops of yellow in the spring. The three or four times I changed the décor every year were always satisfying, even as it got more difficult for me to climb on top of the kitchen counters to reach the void below the ceiling.
When we sold our four-bedroom house in Minnesota and moved to a townhome in Michigan, some of my collection went to Goodwill or were gifted to family or friends. My new compact kitchen has fewer cabinets, but the vaulted ceiling in our great room provides a spacious backdrop for the most treasured of my collection that remains. My teapots once again held a place of honor in my home.
This fall, I took a day to climb the heights and change out the decorations, adding pumpkins and sunflowers and other tchotchkes to complement the featured teapots. For the first time in years, however, I didn’t decorate for Christmas because we spent our first winter in the desert Southwest, a much-needed respite from the ice and snow. When I came back for a visit in February, I took down all the fall décor, leaving a few random pieces that looked lonely and sad, but that I planned to add to when we returned in the spring.
As is often the case at this phase of our lives, our return wasn’t quite as planned. My mother was dying, so I rushed home to be with my siblings for her final days. The next month was a flurry of activity: hospice workers, many laughs and tears with my four siblings, a funeral, cleaning out my mom’s assisted living apartment, poring through hundreds of pictures and memorabilia, finding my footing as a 67-year-old motherless child.
A month later, when the day came to finally fill the empty spaces above my kitchen cabinets, I found I no longer had it in me. I’m relatively healthy, but, like my mother, I have some balance issues that make it seem imprudent to climb a ladder and teeter on a kitchen counter to reach over my head and place porcelain vessels in an arrangement that is pleasing to me but likely not meaningful to anyone else.
So instead, I dragged the step ladder into the kitchen for perhaps the last time and took everything down. The Brown Betty is now on a shelf next to old pictures of my mom and dad. The rest are carefully wrapped and in a Sterlite tub in my storage room. In each teapot, I placed a note with the details of when I got it and its significance to me.
My soffits are naked for the first time in my adult life. The look matches the modern architecture of our new home, clean and uncluttered. I know the teapots are there if I should ever change my mind. I also know that my daughter would gladly help me decorate if I asked. For now, however, I’m trying to enjoy the new look and save my physical and mental effort for something else like walking with my husband, creating photo albums, writing. Still, it feels like a loss in a season full of loss.
While a practical decision, was it premature? Am I unnecessarily adding to my emotional burden while removing a physical one?
Mom had a soft ivory afghan her cousin Kathleen, my godmother, crocheted. When they were younger, Mom and Kathleen were close. They didn’t see each other as often when they got older, but that connection remained. The afghan is made of intricate lacy stitches and generously sized so your feet and shoulder and hip will still be covered if you turn over. It’s a work of art and a gift of love.
But Mom rarely used it. She cherished Kathleen’s beautiful handiwork and wanted to preserve it. It was too good for every day. Instead, when she napped on the sofa—I’m just going to close my eyes for 20 minutes—she used the one Aunt Bertie crocheted, which was skimpier and had scratchy yarn.
When did Mom start taking naps? In her 60s? 70s? My age?
Now I assume she napped when didn’t she sleep well at night. But my younger self just took Mom’s naps for granted. I never asked or even wondered what kept her from sleep.
After Mom died, her afghan from Kathleen came to me.
This morning I woke up predawn. Hot. Restless. My brain whirring with stray busy thoughts. I moved downstairs to the sofa and pulled the afghan from Kathleen over me in hopes I’d be lulled to sleep. I wasn’t. But on the day after Mother’s Day, the memory of Mom and my godmother covered me like a blessing.
