Monthly Archives: July 2019

Pure Nostalgia and a Weird Convergence

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Seeing the paint-by-number ‘artworks’ decorating Hot Plate, a neighborhood breakfast place, plunged me into nostalgia.

At 10, nothing was better than making art that looked ‘real’ or perhaps I should say, ‘recognizable.’ Horses fascinated me and I labored at drawing them, using my horse statue for reference. One birthday, I received a paint-by-numbers kit for a horse portrait. Dip the cheap brush into the dime-sized plastic pots of paint, dab it in the blue-outlined shapes and voilà—my horse looked like the one shown on the box! Success!

A weird convergence.

Until my husband read the historical note in Hot Plate’s gallery, I’d never known that the Craft Master Corp., which made the paint-by-number kits, was headquartered in Toledo, my hometown. At first I thought, “That figures,” then I reminded myself that Toledo is also home to the Toledo Museum of Art, at the other end of the art world spectrum.

While crunching home fries and laughing at the paintings of questionable landscapes, sad clowns, and plucky dogs, I marveled at the paint-by-numbers concept. Someone had to curate images, analyze and isolate the placement of highlights and shadows, and choose the appropriate colors. Today, that function can easily be done in a graphics program, but in the 1960s that wasn’t the case.

The appeal of paint-by-number kits (popular in the 1950s and 1960s) and Bob Ross’ PBS show, “The Joy of Painting”(mid-1980s to mid-1990s, now immortalized on YouTube and in popular culture) is the idea that ordinary people with little or no artistic training can have an outlet for their creative impulses and paint something they’ll be pleased with.

On the paint-by-numbers box was the slogan, “Every man a Rembrandt!” We l l l, not exactly. But for my 10-year-old self, there was a real pleasure in making a painting that turned out.

Sharing the Load

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Canadian wildfires more than a thousand miles away filled Wisconsin’s northern skies with haze. Following another warm summer day slightly diminished by the loss of blue heavens and the company of pesky mosquitos, helping a neighbor harvest their lavender field made a small part of the world all okay. At eight in the evening, thanks to Canadian smoke particulates, the July sun appeared a gentle gold surrounded by a flaming ring. With humidity and heat lifting, the air felt just right to stay outside

She knelt next to the plants, cutting the flowered sprigs with a curved knife. I gathered handfuls, wound the end with a rubber band, then handed each to her husband to trim and load for moving. Their collies laid between the rows, noses resting on paws. A hawk screeched above as it circled the field. We talked about nothing much scattered with deeply important stuff.

We have other jobs that claimed the day, but like all plants lavender has a time to be harvested. They had already completed hours in the field and hung hundreds of bouquets in the barn to partially dry. In a few days the lavender would fill a roadside cart for customers. Sharing the work, an hour went by quickly. Mosquitos called an end to our time.

Some kind of magic happens when friends share the work of their days. Weeding each other’s gardens, making a meal, washing dishes together, sanding another’s wood project, painting a room, harvesting lavender. Formality slips away. The need to create conversation slips into comfortable talk. We move in each other’s space naturally, slipping into the dance steps of our real lives without practice. That’s where memories are made.

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