Anything I’d Recognize?

Writing paid part of my tuition and living expenses in both high school and college. Stringer work, editing school publications, working in media relations, internships, freelancing. I stepped out of journalism school into local newspaper work then the wild world of advertising before settling into corporate communications.

Now, a retiree from the briefcase world, I would love to have some years back from when creative writing took second, third or fourth place behind big obligations. There have been successes, some brilliant like being a part of a regional Emmy award-winning team, Midwest book awards, C-Span Book TV. Maybe there could have been more.

When Joe Tachovsky and I wrote 40 Thieves on Saipan, folks who discovered I was co-writing a World War II history book had many questions. Some would follow me to share personal stories about uncles or grandparents who served in the war. I handed out business cards like a realtor at an active open house.

Response is less enthusiastic about freelance work and falls dramatically into the same interest zone of talking about high school dance competitions in a gathering of day traders when I share that I write contemporary fiction. “Anything I’d recognize” is a standard response or its companion “Would my wife recognize your books?” If lucky, someone asks how you think up your stories and a brief conversation opens. 

It’s probably fair.  Social media, family, sports, travel take a lot of time. Bumping into a writer is kind of like listening to a bar band. If they don’t know how to play your favorite song, you disengage. 

Anonymity isn’t limited to B list writers. Years ago, I stood next to a crowd growing around a hotel counter at a major conference. Voices were rising as news spread that the staff did not recognize Nikki Giovanni when she attempted to check in without a reservation. Giovanni, who died in 2024, was one of the world’s best-known African American poets and someone who spoke out on social issues. But chances are mixed that that reservationist was one of the 50% of Americans who read at least one book a year and even more minute that she was in the 12% who read poetry.

Some days a writer may as well talk with their characters, cause few other people are paying attention. But I wouldn’t stop working just because of that. 

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