Tag: Elizabeth di Grazia

  • Crossing the Threshold

    Crossing the Threshold

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    I didn’t notice the absence of my siblings, the eight closest living relatives to me. At other times, I have. I felt the longing for people who knew me, grew up with me, had a similar life. There was a time I yearned for them to see me and acknowledge my accomplishments.

    The room was full of friends. People who supported me. Listened to my words. Really, listened to me.

    Imagine if that teenager had had that support when she was 13, 14, or 16. Instead of the silence that accompanied the aloneness that scraped at my young heart. I was a pariah in my own family.

    “When’s the baby coming home, Ann?” My 5-year-old brother who did see me would ask. “When’s the baby coming?” He wasn’t yet trained to pick up the subtleties, of who was in or out of the fold. He’s now dead. Died of a heroin overdose when he was 29 years old. I don’t hold any notion that he would have been there Friday night if he lived. My family runs in a pack or as a lone sheep in a gully.

    With a sunkeness, I’d pat his sun streaked hair. It had the look and unruliness of summer cut straw.

    Every time I speak of my birth son, the baby who didn’t come home, it’s a homecoming.

    author 8-years-old
    author     age 8

    I live in this body. I breathe this air. I’m here to tell you that it does happen. Sisters sometimes get pregnant by a brother and have their baby and then if they are lucky enough, they get to write a book about it that people will read and celebrate with you at a book launch.

    I recently read a Facebook post from a high school classmate who read, House of Fire, and she said that it had a happy ending. She was encouraging another classmate to read it.

    Think of that. Out of tragedy you can have a happy ending. You can be a happy ending.

    I was very happy Friday night at my book launch. Because you were there. And, if you weren’t, you sent me good wishes. All of me was up there at the podium, and it was enough. It has always been enough.

    At the podium, I thanked relatives who came. And someone asked me later if my relatives were actually there. I smiled. It would have been something to point out a brother or sister. I would have wished for that before Friday night. But on this Friday what I had was abundance. “The relatives that are here are the chosen aunts and uncles that are in the book,” I said. Except my niece. That brave niece who came. Who fortunately doesn’t have the same story line I do though she’s looked across the fence at mine and knows it to be true.

    My 40th high school reunion has come and gone. Not that I attended it. My book did though. Classmates are now reading, House of Fire. I’m in awe of the support. It’s unbelievable to that young teen who had nobody.

    Coming home can be a difficult journey and yet the most wonderful. It has a happy ending.

    photo-for-oct-21-reading_2If you’d like to hear more of my voice or you weren’t able to make it to my book launch, please join me and Su Smallen on October 21st at 7pm at Hamline University.

    “Su Smallen´s new poems, a lexicon of snow, sing with notes of grief, sorrow, joy and resilience, pondering that great Midwestern element. . . . I am grateful for what this talented poet brings forward: pressing with renewed trust her words onto the pages the way you step — well, through snow.” – Spencer Reece

    “House of Fire is a book of naked, sharp-edged truth, a journey into and through immense darkness. Yet it is also a profound testament to our deeply human ability to heal and transform.”
    – Scott Edelstein

     

     

     

     

     

     

  • No Merit Badge For This

    No Merit Badge For This

    davannis“After Penn Fest, Ryan wants me to come over and hang out and then we’ll go to the Mall of  America”, Juan said.

    Juan would be finishing up his shift at Davanni’s. His second job. He was a line judge for soccer over the summer. A fellow cross-country runner told him that Davanni’s hired 14-year-old’s. His cross-country coach introduced him to the hiring manager.

    I gave him a sideways look. “Who else are you going with? Who are you going to meet up with? I’ll need more information.”

    “Just us,” he said.

    I gave Juan the usual response. “I’ll have to check with his parents.”

    We were driving home from Boy Scouts. Juan had hoped to have his final three merit badges checked off. (I was, too. If he’s in scouts, I’m in scouts.) He’s aiming to get his Eagle Scout by the end of this year.

    Turning on Penn Avenue from 50th Street, I asked him. “What would you do if there was a fight in the food court?”

    Eagle Project, Antiqua Guatemala
    Eagle Project, Antiqua Guatemala

    He dodged, displaying a typical defensive teenage move. “Ryan and I won’t be in the food court.”

    I persisted. “Still, what if you were and a fight broke out?”

    Juan described some superhero ninja moves he’d make leaping over railings, running faster than the speed of light. Then he paused, “Ryan isn’t as fast as me, though.”

    I didn’t tell him that Ryan was white and didn’t need to be as fast as him.

    Instead, I said, “You’re Hispanic. If you’re running from a fight, police could think you were a part of it. If the police ever stop you, you stop. You don’t argue, you lay down, and when you can, you call your moms.”

    I went on to tell him that there were at least 10 teens arrested at the Mall of America the day before. All were juveniles, ranging in age from 12 to 15.

    Juan is 14.

    He doesn’t have any fear of the police. He shouldn’t. I’m a volunteer Police Reserve Officer, Jody is currently going through orientation to be a Police Reserve, and he’s never been in trouble.

    He’s known to the Richfield police because he’s helped me with police patrol, vehicle maintenance on police cars, and wrapping gifts with the police at holiday time for Heroes and Helpers.

    After his eight grade school year, he’s planning on becoming a police explorer.

    Juan has no thought of being concerned. He’s an A/B student and active in three sports. All of his interactions with police have been positive.

    Still, when there’s a melee involving 200 juveniles, he’s just another Hispanic. I thought of him getting thrown to the ground, kneed in the back, his arm twisted behind him.

    I repeated, “If you’re ever told to stop, you stop, you don’t argue, you lay down, and when you can, you call your moms.”

    I left him with these words, “What the police see is a Hispanic running away.”

     

  • The Book That Needed to be Written

    The Book That Needed to be Written

    Elizabeth di Grazia
    Elizabeth di Grazia

    House of Fire,is a book that needed to be written. I was the one to write it. I didn’t ask for sexual abuse to happen to me. I didn’t ask to get pregnant from brothers. But, I did. Who else could write this book but me? Who else to tell the story of how I came out of the hell that I lived as a teenager? Who else to tell the story of how I created a loving family? Who else to say to others who have gone through similar hells that they, too, can survive and have a good life? Who else to tell them that trauma doesn’t need to define them, that they are bigger than their stories?

    The fact is many of us could have written this book. The next time you see a group of children, consider this: 1 in 5 girls and 1 in 20 boys are a victim of sexual abuse. When a child is raped, 46 percent of the time, the perpetrator is a family member, according to the Bureau of Justice Statistics, U.S. Department of Justice. Those statistics suggest many stories. I hope to open a dialogue to change those statistics – and innocent lives – for the better.

    R. Vincent Moniz, Jr.
    R. Vincent Moniz, Jr.

    House of Fire took me over twenty years to write. It took a lot longer than that for ink to meet paper. But, it did. I tried many forms to tell this story: poetry, fiction, and essays. I kept coming back to nonfiction. This story did happen. This story happened to me.

    Healing takes time and work. When the day arrived that House of Fire was to be published, I was ready to stand at the podium as a statement that people can and do survive trauma and their dreams can come true. When you look at me, you won’t see the sexual abuse, the pregnancies, or the trauma. I don’t wear my past as a tattoo. You’ll see me in my allness. My smile, my kindness, my gentleness, and my happiness. You’ll see the peace that I have found.

    House of Fire is not a tale of woe. You’ll laugh, you’ll cry, but most of all you will be left with hopefulness.

    I invite you join me on September 30th for a powerful night of stories and to celebrate the publication of House of Fire. Sharing the platform with me is a range of successful artists. When I first talked with Sherrie Fernandez-Williams, program director, of the Loft Literary Center she suggested I curate an event to celebrate my publication. I chose the title, Finding Your Bones. Sometimes the only thing of substance left after trauma is you, the bones of who you are. The artists who will be with me have in their own right found their bones and their stories. Wine and appetizers will follow the event.

    Keno Evol
    Keno Evol

    Below are the artists’ bios:

    An active force in the Twin Cities artistic community, R. Vincent Moniz, Jr. has received numerous literary awards and fellowships for his writing and live performances. The current and reigning IWPS Indigenous SLAM champion, he has performed spoken word all over the country, and parts unknown. A Nu’Eta enrolled citizen of the Three Affiliated Tribes located on the Ft. Berthold Indian Reservation in North Dakota. Vincent was raised in the Phillips neighborhood of South Minneapolis in the long long ago in the before time.

    Poet, essayist and activist Keno Evol is a six year educator having taught at nineteen institutions across the state of Minnesota. He has served as the chair of the Youth Advisory Board for TruArtSpeaks. A nonprofit in St Paul, dedicating to cultivating literacy, leadership and social justice through Hip Hop.

    Evol has received numerous grants and competed nationally as a spoken word artist. Evol has been published in Poetry Behind The Walls and on platforms such as Gazillion Voices Magazine , Black Girl In Om, and TC Organizer.

    Christine Stark
    Christine Stark

    Evol has performed, taught workshops and led professional development in Los Angeles, San Francisco, Detroit, Washington DC, Arkansas, Minnesota and New York. He has gone on to teach Spoken Word poetry in high schools such as Washburn High, Brooklyn Center High, MNIC High, PYC, Paladin Academy, Creative Arts and John Glenn Middle School.

    He has appeared on TPT and Urban Perspectives. He navigates noting Patricia Hill Collins as she has stated “My work has always been bigger than my job.”

    Writer, visual artist, and organizer, Christine Stark’s first novel, Nickels: A Tale of Dissociation, was a Lambda Literary Award finalist. Her writing has appeared in periodicals and books, including Chalk Circle: Intercultural Prize-Winning Essays; When We Become Weavers: Queer Female Poets on the Midwestern Experience; The Florida Review, and many others. A Loft Mentor Series winner, Stark is currently completing her second novel and conducting research for a nonfiction book.

    I hope you’ll join us for an evening of powerful truth-telling.

    September 30, 2016 at the Loft Literary Center, 1011 Washington Ave. S, Minneapolis