Category: the power of possibility

  • Immortalized

    I don’t know the women who crocheted this lace doily and antimacassar, but I think I understand something about them.

    A century ago, maybe she saw a doily pattern with a wheat motif in a magazine and made it on a lark—the same impulse that has led me to make a quilted pin cushion, add a mosaic to a small box, decorate a shirt with reverse embroidery, and so many other projects. I was curious about the process and making stuff is fun. Most of the time I’m only trying to please myself, so it doesn’t matter if my creative ventures are one-and-done. 

    Whoever made the antimacassar might have been more invested. Perhaps she spent weeks one winter, creating the elaborate design, a piece she’d be proud of. She could have spread a towel across the back of a chair to keep off her husband’s macassar hair oil when he leaned back for a snooze. Instead, she made something pretty. I understand the impulse—if you’re going to see it every day, why not have something pleasing? Maybe detailed crochet was her art form, like pottery and quilting are mine. 

    When I told a friend about a minor project to machine embroider some muslin towels, she said, “You’re so creative.” I balked, “There are so many people who are wildly creative and talented. I’m a dabbler.” She insisted, “Say yes. And thank you.” My friend is right about me, but sometimes it’s hard to own this urge. Easy to downplay or dismiss creativity that’s expressed everyday things. 

    I squint into the future and imagine someone picking up a quilt or ceramic bowl I’ve made. She or he might find a different purpose for it—cut the quilt into placemats, hammer the bowl into bits for a mosaic, or some other project I can’t even imagine. If my things get repurposed, I won’t feel disrespected at all. They were fun to make. They pleased me. They don’t have to last or be cherished like museum pieces. Maybe like me, this future creator will wonder about the person who originated it.

    In the pottery studio, when I spread the doily and antimacassar onto clay and transfer the lacy patterns with a rolling pin, I’ll admire the craftsmanship, patience, and skill needed to make them. Those women and their work will be acknowledged and celebrated in mine. Immortalized.

    A dish I made with another doily
  • Woulda, Coulda, Shoulda

    Normally I look forward, eagerly anticipating what’s next: a walk with a friend, spending time with my sisters, a trip to someplace new, even the writing-related work I do for clients.

    But during this past year, spent mostly at home and unplugged, even from family and friends, I’ve found myself looking back at my life, often with regret for missteps and mistakes that include not wearing sunscreen, tolerating an abusive high school boyfriend before I knew any better, hosting a 40th birthday dinner for a friend instead of going to the hospital to visit my dying dad, accidentally sharing information about a cousin’s health when I’d been asked not to, not standing up for myself when I sold my business and not getting married and moving to DC when I had the chance.

    My regrets also include missed opportunities: dropping out of high school track despite being told I had potential, giving up on watercolor painting before I’d gotten the hang of it and not saying yes the first three times a friend offered me her Paris apartment for as long as I wanted to stay.

    At first I thought I’d have a long list. But I don’t. At least not yet. I also thought that reviewing my regrets would make me sad. It has…but it’s also empowered me to make amends and to think more seriously about what I want from my life moving forward.

    And while I haven’t yet finished reading The Midnight Library, I am journaling about what my life would be like if I, like the book’s protagonist, had made different choices. Sure, some things would be better, but I’d still have plenty of wouldas, couldas and shouldas to contend with. That’s life!

    But I also know that, moving forward, I will do better…at trusting my gut, taking risks, leaping at opportunities and, most importantly, being true to myself.

  • Reflections: January 20, 2021

    Before 2016, I had never understood how fragile our democracy is or how much it relies on norms, assumptions, conventions, and goodwill.

    Today, I’m choosing to be hopeful.

    Tomorrow, all of our country’s problems will still be here, but I want to believe that because most Americans deeply love this wonderful but flawed country, we’ll keep working to improve it.