Category Archives: Publication

Write Anyway

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Every birthday I consider what the past year has brought and what I hope the upcoming year will bring. This year as I entered a new decade, my focus was also tempered by the awareness that my time isn’t unlimited, and I want to use it well. What will the coming days and years consist of? Family and friends, health upkeep, travel, fun and for me, writing. 

At first, asking what role writing will play in my life seems silly. Creative writing isn’t something you have to retire from. I can write as long as the words and ideas come. But the deeper question is—What are my expectations about publication?

Widely published authors like Stephen King and Joyce Carol Oates can continue publishing as long as they care to. It’s a different matter for the writers I know, who have a modest number of publications. Like it or not, the marketplace may decide for them. Because it’s a personal and potentially painful decision, writers don’t always discuss the dilemma.

In the past 20 years, I’ve written two book-length memoirs, but I’m not seeking publication for either of them. I learned what I could about writing books, but it wasn’t enough. The real gift is what I discovered about myself through the writing process. I’m proud of myself for doing the work. I’m at peace with the idea the books won’t be out in the big world. 

Instead, I’m focusing on writing short memoirs, essays and blogs. My talents and skills are better suited to short pieces. Most years I publish one or two. Not a breath-taking record, but enough for me. Knowing my words and ideas find an audience in an anthology, literary journal or blog is plenty. 

Publication plays a small part in my commitment to writing. I write because it helps me make sense of my world.

Two quotes sum up my outlook. The first comes from a blog by Amy Grier who was struggling with her writing and the state of the world in November 2020. Her thoughts are still relevant:

“Writing tethers me to the world in a way nothing else does . . . I don’t know who will be president, what’s happening to my country, even what will happen to me. But I’m going to write anyway. It’s my remedy for despair. It’s how I will survive.”

The next comes from an interview with Margaret Atwood, who offered a few rules for writers. After making practical writerly suggestions, she also said this:

“Nobody is making you do this: you chose it, so don’t whine.”

For as long as it pleases me I will honor my creative nature and write anyway.

The Book That Needed to be Written

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Elizabeth di Grazia

Elizabeth di Grazia

House of Fire,is a book that needed to be written. I was the one to write it. I didn’t ask for sexual abuse to happen to me. I didn’t ask to get pregnant from brothers. But, I did. Who else could write this book but me? Who else to tell the story of how I came out of the hell that I lived as a teenager? Who else to tell the story of how I created a loving family? Who else to say to others who have gone through similar hells that they, too, can survive and have a good life? Who else to tell them that trauma doesn’t need to define them, that they are bigger than their stories?

The fact is many of us could have written this book. The next time you see a group of children, consider this: 1 in 5 girls and 1 in 20 boys are a victim of sexual abuse. When a child is raped, 46 percent of the time, the perpetrator is a family member, according to the Bureau of Justice Statistics, U.S. Department of Justice. Those statistics suggest many stories. I hope to open a dialogue to change those statistics – and innocent lives – for the better.

R. Vincent Moniz, Jr.

R. Vincent Moniz, Jr.

House of Fire took me over twenty years to write. It took a lot longer than that for ink to meet paper. But, it did. I tried many forms to tell this story: poetry, fiction, and essays. I kept coming back to nonfiction. This story did happen. This story happened to me.

Healing takes time and work. When the day arrived that House of Fire was to be published, I was ready to stand at the podium as a statement that people can and do survive trauma and their dreams can come true. When you look at me, you won’t see the sexual abuse, the pregnancies, or the trauma. I don’t wear my past as a tattoo. You’ll see me in my allness. My smile, my kindness, my gentleness, and my happiness. You’ll see the peace that I have found.

House of Fire is not a tale of woe. You’ll laugh, you’ll cry, but most of all you will be left with hopefulness.

I invite you join me on September 30th for a powerful night of stories and to celebrate the publication of House of Fire. Sharing the platform with me is a range of successful artists. When I first talked with Sherrie Fernandez-Williams, program director, of the Loft Literary Center she suggested I curate an event to celebrate my publication. I chose the title, Finding Your Bones. Sometimes the only thing of substance left after trauma is you, the bones of who you are. The artists who will be with me have in their own right found their bones and their stories. Wine and appetizers will follow the event.

Keno Evol

Keno Evol

Below are the artists’ bios:

An active force in the Twin Cities artistic community, R. Vincent Moniz, Jr. has received numerous literary awards and fellowships for his writing and live performances. The current and reigning IWPS Indigenous SLAM champion, he has performed spoken word all over the country, and parts unknown. A Nu’Eta enrolled citizen of the Three Affiliated Tribes located on the Ft. Berthold Indian Reservation in North Dakota. Vincent was raised in the Phillips neighborhood of South Minneapolis in the long long ago in the before time.

Poet, essayist and activist Keno Evol is a six year educator having taught at nineteen institutions across the state of Minnesota. He has served as the chair of the Youth Advisory Board for TruArtSpeaks. A nonprofit in St Paul, dedicating to cultivating literacy, leadership and social justice through Hip Hop.

Evol has received numerous grants and competed nationally as a spoken word artist. Evol has been published in Poetry Behind The Walls and on platforms such as Gazillion Voices Magazine , Black Girl In Om, and TC Organizer.

Christine Stark

Christine Stark

Evol has performed, taught workshops and led professional development in Los Angeles, San Francisco, Detroit, Washington DC, Arkansas, Minnesota and New York. He has gone on to teach Spoken Word poetry in high schools such as Washburn High, Brooklyn Center High, MNIC High, PYC, Paladin Academy, Creative Arts and John Glenn Middle School.

He has appeared on TPT and Urban Perspectives. He navigates noting Patricia Hill Collins as she has stated “My work has always been bigger than my job.”

Writer, visual artist, and organizer, Christine Stark’s first novel, Nickels: A Tale of Dissociation, was a Lambda Literary Award finalist. Her writing has appeared in periodicals and books, including Chalk Circle: Intercultural Prize-Winning Essays; When We Become Weavers: Queer Female Poets on the Midwestern Experience; The Florida Review, and many others. A Loft Mentor Series winner, Stark is currently completing her second novel and conducting research for a nonfiction book.

I hope you’ll join us for an evening of powerful truth-telling.

September 30, 2016 at the Loft Literary Center, 1011 Washington Ave. S, Minneapolis